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Film --- 791.43.04-055.2 --- Feminist films. --- Motion pictures for women --- Women in motion pictures --- #SBIB:309H1326 --- Motion pictures --- Moving-pictures for women --- Women --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- De vrouw in de film --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43.04-055.2 De vrouw in de film --- Feminist films

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Feminism and motion pictures --- Motion pictures and women --- Women in motion pictures --- Women in the motion picture industry --- 791.43.04-055.2 --- Motion pictures --- Motion pictures and feminism --- 791.43.04-055.2 De vrouw in de film --- De vrouw in de film --- Women and motion pictures --- Women --- Motion picture industry --- Film

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Film --- United States --- 791.43 <09> --- 791.43.04-055.2 --- Comedy films --- Love in motion pictures --- Sex in motion pictures --- Sex role in motion pictures --- Women in motion pictures --- Man-woman relationships in motion pictures --- #SBIB:309H1326 --- Motion pictures --- Sex in moving-pictures --- Erotic films --- Pornographic films --- Filmgeschiedenis. Filmhistorie --- De vrouw in de film --- History and criticism. --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43.04-055.2 De vrouw in de film --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- History and criticism --- United States of America

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Bound to Bond: Gender, Genre, and the Hollywood Romantic Comedy looks at gender roles in a unique way--by examining what the last thirty years of romantic comedy films have argued, reflected, and implied. Mark Rubinfeld contends that, essentially, we are what we see, and by identifying four basic plots of the genre, representing four basic love stories, he studies the implications of filmic depictions of male/female relationships. Cultural changes that have transformed our society since 1970 are seen here as we see them on the silver screen, and the author analyzes notable examples of the genre with a rigorous sociological perspective. What he reveals may be surprising: during the seventies and, to an extent, the early eighties, the plot conventions of Hollywood romantic comedy seemed to challenge, rather than reinforce, existing gender stereotypes. Later, however--during what should have been a more "enlightened" time--the genre reversed course, reverting to more traditional "types" for men and women alike.

Love in motion pictures --- Role selon le sexe dans le cinéma --- Sex role in motion pictures --- Sexuele rolpatronen in de film --- Romantic comedy films --- Love in motion pictures. --- Sex role in motion pictures. --- Comédies romantiques (cinéma) --- Amour au cinéma --- Rôle selon le sexe au cinéma --- History and criticism. --- Histoire et critique --- 305 --- 791.43 <73> --- 791.43.04-055.2 --- Motion pictures --- Romantic comedies (Motion pictures) --- Romcoms (Motion pictures) --- Comedy films --- Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Filmkunst. Films. Cinema--Verenigde Staten van Amerika. VSA. USA --- De vrouw in de film --- 791.43.04-055.2 De vrouw in de film --- 791.43 <73> Filmkunst. Films. Cinema--Verenigde Staten van Amerika. VSA. USA --- 305 Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Comédies romantiques (cinéma) --- Amour au cinéma --- Rôle selon le sexe au cinéma --- History and criticism --- United States

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Melodrama in motion pictures --- Women in motion pictures --- Mélodrame au cinéma --- Femmes au cinéma --- 791.43-23 --- Melodrama --- -Feminism and motion pictures --- #SBIB:316.346H28 --- Motion pictures and feminism --- Melodramatische films. Thrillers --- Positie van de vrouw in de samenleving: socialisatie --- Edited by Christine Gledhill --- melodrama --- Sirk Douglas --- filmproductie --- censuur --- 791.43-23 Melodramatische films. Thrillers --- Mélodrame au cinéma --- Femmes au cinéma --- 791.43.04-055.2 --- #SBIB:309H1326 --- 791.43.04-055.2 De vrouw in de film --- De vrouw in de film --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Feminism and motion pictures --- Motion pictures --- Film --- 791.41 --- 791.43 --- feminisme --- film --- film en psychoanalyse --- filmgenres --- filmgeschiedenis --- Freud Sigmund --- gender studies --- Griffith David Wark --- Hollywood --- Minnelli Vincente --- stille film --- Verenigde Staten --- vrouwen --- CDL --- Femmes dans les films --- Melodrames